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A Porcelain Perfume Bottle With Silver Top

$1,100.30

1 Available

SKU: 8/723 Categories: ,

This charming antique perfume bottle combines the elegance of porcelain and sterling silver, capturing the artistry of the late 19th century. Adorned with an intricate owl motif on the front and a delicate depiction of a bird and butterflies on the back, this piece reflects the naturalistic themes popular during its time of creation. Crafted in Birmingham in 1892, it bears the hallmarks of this historic city, along with the maker’s marks of Charles May, a noted silversmith of the era. The harmonious blend of porcelain and silver not only emphasizes its functional purpose but also its decorative appeal.

Condition Report

The perfume bottle is in very good condition, with wear consistent with both its age and historical use. The porcelain surface remains vibrant, showcasing the intricate designs with clarity. The sterling silver screw top, which securely encloses the bottle, shows some minor signs of tarnish typical for silver items of this age, yet it retains its structural integrity and functionality. There are no significant chips or cracks in the porcelain, ensuring that this piece remains not only visually appealing but also structurally sound. This historical artifact has clearly been well-preserved, offering a glimpse into the craftsmanship of the late 19th century.

Dimensions

Weight: 20gm, Length: 4cm, Width: 4cm, Height: 4.5cm.

A Glimpse into Victorian Elegance

Intended originally as a perfume bottle, this antique would have graced a lady's dressing table, serving both as a functional item and a decorative piece. During the Victorian era, such items were prized for their utility and artistry, reflecting personal style and sophistication. The bottle’s compact size made it ideal for travel, allowing its owner to carry a favourite fragrance while on the move, thus blending practicality with elegance.

Victorian Naturalistic Design

The design of this perfume bottle is a fine example of Victorian naturalistic style, characterized by its meticulous depiction of flora and fauna. The owl, bird, and butterflies are executed with attention to detail, reflecting the Victorian fascination with nature and the exotic. This style emphasized intricate patterns and realistic portrayals, often drawn from the natural world, embodying the era’s interest in botany and zoology. Such pieces were not only decorative but also educational, reflecting the period’s broader interests and aspirations.

The Craft of Porcelain and Silver

The creation of this perfume bottle involved skilled artisans working with both porcelain and sterling silver, materials that require precision and expertise. Porcelain, known for its delicacy yet durability, was shaped and painted before being meticulously glazed to preserve its design. The sterling silver top, crafted separately, was likely hand-tooled to fit the porcelain precisely, ensuring a seamless integration. The screw mechanism, a common feature in contemporary perfume bottles, speaks to the practical considerations of the time, combining beauty with utility.

Crafted by Charles May

Charles May, the maker of this perfume bottle, was an esteemed silversmith based in Birmingham, a city renowned for its metalwork during the 19th century. His work is characterized by a careful attention to detail and quality craftsmanship, hallmarks evident in this piece. May’s hallmark, found on the silver top, attests to its authenticity and his reputation for producing fine silver items. Collectors value his work for its precision and the elegance it brings to everyday objects, making this perfume bottle a significant example of his craft.

Sought by Collectors of Victorian Antiques

Perfume bottles like this one are highly sought after by collectors of Victorian antiques, prized for their craftsmanship and the insight they provide into the social customs of the era. Such items reflect the personal tastes and lifestyles of their original owners, offering a tangible connection to the past. Collectors appreciate the historical context and the aesthetic qualities that these bottles represent, making them coveted additions to any collection of Victorian-era artifacts. The combination of porcelain and silver, along with the maker’s marks, enhances its desirability among enthusiasts of 19th-century design.