This wax portrait is a remarkable piece from the late Georgian period, specifically from the reign of George III, dating between 1760 and 1811. The portrait depicts a gentleman, intricately detailed in polychrome, with a notable depiction of Admiral Lord Howe at its base. Crafted in England, this piece reflects the period's artistic flair and attention to detail. The portrait is encased within a rectangular frame, with the wax figures set against a contrasting background that accentuates their features and expressions.
Condition Report
The wax portrait exhibits wear consistent with its age and historical use, characteristic of items from the late 18th to early 19th century. The polychrome finish has retained much of its original vibrancy, although minor fading is observed, likely due to exposure over the centuries. The surrounding frame shows signs of wear, with some slight scuffing and minor chips that do not detract from the overall visual appeal. No restoration appears to have been undertaken, preserving the authenticity and originality of the piece. The structural integrity remains sound, ensuring that it can be safely displayed or stored as part of a collection.
Dimensions
Weight: 305gm, Length: 15cm, Width: 17cm, Height: 3cm.
A Display of Prestige and Achievement
Wax portraits such as this one were traditionally used to display prestige and achievement, often commissioned by or depicting notable figures of the time. The inclusion of Admiral Lord Howe suggests an intention to honour or commemorate his naval accomplishments. Such portraits served not only as personal mementoes but also as public declarations of status and allegiance, often displayed in prominent positions within a household or collection.
Georgian Artistic Tradition
This portrait is a fine example of late Georgian artistic tradition, characterised by its detailed polychrome work and the realistic portrayal of its subject. During this period, wax portraiture was a popular medium due to its ability to capture likeness and detail with a lifelike quality. The Georgian style favoured classical features and understated elegance, often incorporating historical or contemporary figures of significance. The portrait reflects these stylistic tendencies, with its careful attention to the subject's attire and expression, as well as the symbolic inclusion of Admiral Lord Howe.
The Craft of Wax Portraiture
The creation of wax portraits during the Georgian era involved a meticulous process that required significant skill and craftsmanship. Artisans would sculpt the likeness in wax, often from life or a painted portrait, achieving an impressive level of detail and realism. Polychrome techniques were used to add colour, enhancing the lifelike quality of the figures. The wax was then set within a protective frame, often glass-fronted, to preserve the delicate material. This craft was highly regarded for its ability to capture the essence of the subject in a tangible form.
Anonymous Artisans of the Georgian Era
While the specific maker of this wax portrait remains unknown, it is indicative of the work produced by skilled artisans of the Georgian period. These craftsmen were adept at creating intricate and realistic representations in wax, a medium that was both challenging and rewarding to work with. The anonymous nature of many such works adds to their intrigue, as each piece serves as a testament to the skill and artistry of its creator, reflecting the broader trends and practices of the time.
Collected by Enthusiasts of Georgian Portraiture
Wax portraits from the Georgian period are highly sought after by collectors for their historical significance and the craftsmanship involved in their creation. These pieces offer a tangible connection to the past, often depicting notable figures and capturing the fashion and style of the era. Collectors are drawn to the unique challenges of preserving wax, as well as the stories each piece can tell about its subject and maker. The inclusion of significant figures, such as Admiral Lord Howe, further enhances the appeal and value of such portraits within a collection.