We ship Australia Wide

and YES we ship internationally as well

Metal Mask

$1,995.00

Available

SKU: 5/518 Category: Tag:

This Metal Mask, crafted by the Belgian sculptor Johannes Werner Heyndrickx, hails from circa 1937. Renowned for his intricate metalwork, Heyndrickx has created a piece that showcases both his skill and the artistic sensibilities of the era. The mask is a striking representation of the sculptor's ability to capture expression and form in metal. It is signed on the top of the base, affirming its authenticity and heritage. The mask presents a polished metallic sheen, characteristic of the mid-20th century European art style, and is a testament to the sculptor's mastery in manipulating metal to convey depth and character.

Condition Report

The Metal Mask remains in good condition, with minimal wear that is consistent with its age and use over the decades. The surface retains much of its original lustre, although some patina development is evident, contributing to its historical charm. The signature on the top of the base is still clearly legible, providing a point of interest for collectors and enthusiasts alike. While there are minor surface abrasions, these are typical for an item of this age and do not detract from the overall appeal or structural integrity of the piece.

Dimensions

Weight: 670gm, Length: 14cm, Width: 7cm, Height: 24cm.

A Decorative Art Piece for the Discerning Collector

This Metal Mask was originally intended as a decorative art piece. It would have been displayed to draw attention and provoke thought, making it a conversation starter in both private homes and galleries. The mask's detailed craftsmanship and striking appearance would have complemented other artworks, reflecting the owner’s appreciation for sophisticated design and artistic expression.

Artistic Expression in 1930s European Sculpture

The Metal Mask is a prime example of the artistic expression prevalent in 1930s European sculpture. This era saw a blend of traditional craftsmanship with emerging modernist styles, capturing the tension and dynamism of pre-war Europe. Heyndrickx's work reflects the period's fascination with human expression and the interplay of light on metallic surfaces, showcasing a balance between form and artistry. The mask embodies the sculptural trends of its time, characterised by bold lines and a focus on the emotive potential of the human visage.

The Craft of Metal Sculpture

Johannes Werner Heyndrickx employed traditional metalworking techniques to create this mask, a testament to his skill and dedication to his craft. The metal would have been meticulously shaped and polished to achieve the desired finish, requiring a combination of technical skill and artistic vision. The process involved in creating such a sculpture demands precision and an understanding of the material's properties, enabling the artist to bring out the nuanced expressions and subtle details that define the mask's character.

Crafted by Johannes Werner Heyndrickx

Johannes Werner Heyndrickx is renowned for his contributions to metal sculpture in Belgium during the early 20th century. His works often explore themes of human expression and emotion, rendered in metal with a distinctive style. Heyndrickx's signature on the mask attests to his involvement in its creation, providing a direct link to his broader body of work. His artistry is evident in the careful attention to detail and the expressive qualities captured in this piece, making it a valuable addition to any collection of early 20th-century European art.

Collected by Enthusiasts of European Art

Metal sculptures like this mask by Johannes Werner Heyndrickx are highly sought after by collectors of European art from the early 20th century. These pieces are valued for their craftsmanship, historical context, and the insight they provide into the artistic movements of the time. Collectors appreciate the way such works encapsulate the themes and techniques of their era, offering a tangible connection to the past. The mask's provenance, confirmed by the sculptor's signature, enhances its desirability and ensures its place as a significant piece in the canon of early modernist sculpture.