Craquelé Elephant

The Craquelé Elephant is an intriguing piece designed by Albert Aebly for the Nimy porcelain factory, known officially as Manufacture Imperiale Royale. This exceptional ceramic figure hails from Belgium, showcasing the distinguished craquelé technique. The elephant is rendered in a pure white shade, exemplifying the delicate artistry that Aebly applied to his animal forms. The piece is marked on its base, affirming its origin and authenticity, as detailed in 'White Keramische Dieren' on page 37 out of 150. This antique embodies the sophisticated craftsmanship of early 20th-century Belgian ceramics, making it a compelling addition to any collection.

Condition Report

This Craquelé Elephant is in good condition, with wear consistent with its age and historical usage. The surface of the ceramic exhibits the characteristic crackling effect, which is not a flaw but an intended design feature that enhances its visual appeal. The base bears the original stamp, confirming its provenance. The piece has been well-preserved, although minor signs of handling and display over the decades are present, typical for a ceramic of this vintage. No significant chips or repairs are visible, which attests to the careful maintenance by previous owners.

Dimensions

Weight: 755gm, Length: 28cm, Width: 9.5cm, Height: 16cm.

A Decorative Conversation Starter

The Craquelé Elephant was primarily intended as a decorative object, designed to captivate and engage viewers. Such pieces were often displayed in prominent locations within a home, serving as conversation starters and symbols of the owner's taste and appreciation for fine ceramic artistry. While not functional in a traditional sense, the elephant's design and craftsmanship speak volumes, making it a valued ornament in both historical and contemporary settings.

Fine Example of Craquelé Technique

The Craquelé Elephant is an exemplary representation of the craquelé style, a distinct technique characterised by a network of fine cracks in the glaze. This method was especially popular in the early 20th century, reflecting both the aesthetic preferences and technological capabilities of the time. The pattern of cracks is not merely decorative; it requires precise control over the firing process to achieve the desired effect. Aebly's use of craquelé adds depth and texture to the elephant, elevating it beyond a simple ceramic figure to a work of art.

The Craft of Ceramic Making

The creation of the Craquelé Elephant involves a meticulous process of ceramic craftsmanship. Starting with high-quality clay, the piece would have been carefully shaped and detailed to capture the essence of the elephant. The application of the glaze, followed by controlled firing, would have produced the distinctive craquelé effect. This technique requires both artistic skill and scientific precision, as variations in temperature and glaze composition can dramatically alter the outcome. The Nimy factory was renowned for its expertise in such processes, ensuring the creation of durable yet delicate ceramic art.

Crafted by Albert Aebly

Albert Aebly, the creative force behind this piece, was a notable figure in the realm of ceramic design. His work for Nimy is celebrated for its innovative approach to form and detail, particularly in depicting animals. Aebly's designs often balanced realism with stylised embellishments, resulting in pieces that were both lifelike and artistically expressive. His collaboration with the Nimy factory produced a range of ceramics that are now highly sought after by collectors, each piece bearing the hallmark of his distinctive style and craftsmanship.

Collected by Enthusiasts of Ceramic Art

The Craquelé Elephant, along with other pieces from the Nimy factory, is highly prized by collectors of ceramic art. These items attract enthusiasts due to their unique combination of artistic merit and historical significance. The use of the craquelé technique, coupled with the esteemed reputation of Albert Aebly and the Nimy factory, makes this piece a coveted addition to any ceramic collection. Collectors appreciate the historical context and the skill involved in creating such works, often seeking out similar pieces to build a comprehensive representation of early 20th-century Belgian ceramics.