A silver oil stock and pyx, made by Greenwood & Watts in London in 1917, exemplifies the aesthetics of the Arts and Crafts movement. The piece is a cylindrical vessel with a planished surface, offering a subtly textured, hammered finish. Encircling the upper part of the cylinder is an applied rope-twist zigzag band, which enhances its otherwise restrained form with a decorative flourish.
The lid features an embossed chi-rho (☧) symbol, an ancient Christian emblem formed by overlapping the Greek letters chi (Χ) and rho (Ρ), the first two letters of "Christ" in Greek. The interior of the lid is gilt, creating a striking contrast with the silver exterior. A bayonet fitting secures the lid to the body, showcasing both practicality and craftsmanship.
The item is composed of several parts: the main cylindrical silver body, a removable glass liner designed to hold sacred oils and the lid. The glass liner ensures the safe storage of oils, protecting against corrosion or contamination.
Condition Report
The oil stock and pyx are in excellent condition, demonstrating careful preservation typical of revered ecclesiastical items. The silver maintains its original planished finish, with all decorative features intact. The bayonet fitting functions smoothly, ensuring ease of use, and the gilt interior of the lid remains bright and well-preserved. The removable glass liner, integral for holding sacred oils, is free from cracks or chips, indicative of the high standards upheld by its previous custodians. Hallmarks are clear and legible, confirming the authenticity and date of manufacture.
Dimensions
Weight: 0.115gm, Width: 4cm, Height: 9cm.
A Container for Sacred Oils
This oil stock and pyx were designed specifically for Christian liturgical use. The oil stock serves as the vessel for holding sacred oils used in important sacraments, such as baptism, confirmation, and the anointing of the sick. The pyx functions as a portable container for consecrated Eucharistic hosts, enabling clergy to transport the sacrament to individuals unable to attend church services, such as the sick or homebound. Its design reflects a deep understanding of both spiritual and practical needs within the ecclesiastical context.
Representative of Arts and Crafts Aesthetics
The item embodies the core principles of the Arts and Crafts movement, which emerged as a reaction against the industrial mass production of the 19th century. It emphasizes traditional craftsmanship, the use of natural materials, and an appreciation for simple yet meaningful decoration. The hand-hammered texture of the planished surface and the decorative rope-twist band are clear nods to the era’s embrace of medieval artistry and rich symbolism, highlighting the interconnectedness of form and function in ecclesiastical artifacts.
The Craft of Silverwork
The creation of this oil stock and pyx involved traditional silversmithing techniques, with artisans employing hand-hammered methods to achieve the distinctive planished surface. The craftsmanship reflects a dedicated approach to materials; the silver body is complemented by a removable glass liner designed to safeguard the sacred oils from contamination. The gilded interior of the lid is not only functional but also represents the skill involved in marrying aesthetics with liturgical purposes.
Craftsmanship by Greenwood & Watts
Greenwood & Watts, a distinguished London-based silversmith, gained recognition for their ecclesiastical silverware in the early 20th century. Their commitment to quality craftsmanship is mirrored in this example, which captures the beliefs and artistic philosophies of the Arts and Crafts movement. Their pieces often highlight traditional techniques while catering to the specific needs of the Church, thereby aligning artistry with spirituality.
Appealing to Collectors of Ecclesiastical Antiques
Ecclesiastical silverware, particularly pieces such as oil stocks and pyxes, are highly regarded for their historical significance and aesthetic appeal. Collectors are drawn to the unique blend of functionality and artistry found in items from the Arts and Crafts period. This example not only represents high-quality ecclesiastical silver but also reflects the period's commitment to innovation within traditional forms, making it a valuable addition to any collection focusing on liturgical artifacts from early 20th-century England.